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Photo: @annamadeit | Anna Dobos | http://www.annadobos.comInterview with On Wax Magazine: http://onwaxmagazine.com/owm/?p=27940

Houston rapper talks new project, working with A$AP Rocky
by Ural Garrett

“The Dada movement and its anti-art and avantgarde ideas are pretty prevalent in everything creative I enjoy in life. Most of my favorite music (especially punk rock and Hip Hop), films, TV shows, and visual artists seem to represent a little piece of something (or a whole lot of something) that I identify strongly with Dada.”

Fat Tony is the de facto artist in Houston’s budding alternative rap scene. Winner of the The Houston Press’s Best Underground Hip Hop award three times in a row, Fat Tony’s has been turning out quality music since his 2008 EP, Love Life.

On Wax: So for our readers out there, who is Fat Tony?
Fat Tony: Fat Tony is a Nigerian-American rap nigga that does what he does very well. Almost always maestro’d by Jamaican-American producer nigga Tom Cruz. Fat Tony: artist, actor, fun-haver, eater, entertainer.

On Wax: Where did the name come from?
Fat Tony: I wrote it on my cup one day in gym class while watching the Scared Straight movie during a pizza party in middle school. I was a lil fat boy named Anthony. I also loved The Simpsons. Wrote on my cup, my homie next to me saw what I scribbled and the name stuck.

On Wax: How did you get into music?
Fat Tony: Grew up in a house of music lovers. My daddy likes African music like high life and artists like Sunny Ade, reggae (mostly Bob Marley and Jimmy Cliff), and American classic country music. My mom was fuckin with jazz, classical music, 60′s British & American rock ‘n’ roll, and some soul aka R&B. My granny was a big fan of country music, gospel, and R&B aka soul music too. There were hundreds of records all over the home I grew up in and I loved to meddle with things, especially stuff that was electronic and/or made noise.
I also grew up watching thousands of hours of MTV and BET after school and on the weekends. Pop music was all around me and it’s hard to ignore it when you’ve got amazing talents like Michael Jackson and Prince (plus their influences) in your eyes and ears. I think the Alvin & The Chipmunks and Michael Jackson tapes got me hooked on pop music initially. Loving rap music and punk rock, especially in my teenage years, kept the obsession alive and well all the way up to this very day.

On Wax: What are some of your musical and stylistic influences?
Fat Tony: The Dada movement and its anti-art and avantgarde ideas are pretty prevalent in everything creative I enjoy in life. Most of my favorite music (especially punk rock and Hip Hop), films, TV shows, and visual artists seem to represent a little piece of something (or a whole lot of something) that I identify strongly with Dada. My favorite bands of all-time are the Ramones, Black Flag, Bad Brains, UGK, early Slum Village with J Dilla, R. Kelly, Prince, Michael Jackson, the Beatles, Nirvana, Nas, Jay-Z, Biggie, 2Pac, E-40, Too Short, Devin the Dude, Ice Cube, Beastie Boys, DJ Screw, Dr. Dre & Snoop Doggy Dogg, Murs, and Supreeme. They’ve all had a really significant impact on how I look at music and my appreciation for being good at what you do. It’s good to be good.

On Wax: As far as the alternative Hip-Hop scene in Houston, you seem to be at the top of the pack. What do you attribute that to?
Fat Tony: Having the patience to endure the unpleasantness of being an artist while maintaining a strong passionate affection and respect for what I do. I’m one of the last young rap people that came up in the days of selling tapes and CD-Rs of yourself at clubs, high schools, colleges, and various urban communities rather than letting the foundation of career be based in YouTubes and Tumblrs. Although I did master the digital age in the mid 2000′s I didn’t let it represent me completely. I was still performing and traveling more than any other rap nigga my age since my mid-teens.
I basically took what I learned from my underground rap and underground rock ‘n’ roll forefathers and applied it to my own music without questioning if my methods would be accepted or be successful. I did what I loved and what I wanted to do musically at all times and never gave in to trends and fads. I didn’t spend all that time at home and those nights up late recording me and my friends, attempting to mix albums on Cool Edit, reading about musicians in the industry, watching movies on musicians, and booking; promoting my own shows to the fullest extent for nothing. But all that shit aside, in all honesty, it’s really just because I’m exceptional at what I do. And I work with the world’s best producer Tom Cruz.

On Wax: You were recently featured on ASAP Rocky’s last project. How did that relationship come together?
Fat Tony: My man Daniel Lynas at ishlab studios in Brooklyn was recording him. I lived in New York this past summer 2011 and Lynas asked me to come through a session they were having to meet him. Tom Cruz and I rolled through. We all sat around drinking and conversing for hours while Rocky recorded “Peso” and “Get Lit”. ASAP Yams was up in that bitch too. Late, late, late in the night round 5am Rocky asked me to talk some shit on his record. I stumbled my way into the booth from my reclined position and the rest is history.

On Wax: You have an album and mixtape in the works. Could you talk about that for a moment.
Fat Tony: The mixtape is Double Dragon and will be out this Spring. It’s a collaborative album kind of like Cuban Linx with Raekwon & Ghostface. We’re bringing that producer and rapper dynamic back in the mix cause it is sorely missed. Kinda like Dre and Snoop, ya smell me? Tom Cruz and I are both rapping our ass off on most of the songs. I think you’ll love it. The album is Smart Ass Black Boy and will be out this Fall. Both records are produced in full by Tom Cruz (just like RABDARGAB) and mixed & mastered by the great Paul Katzman.

On Wax: What are some of your interest outside of music?
Fat Tony: Movies, for sure. I just acted in my first one. I’m playing a drug dealer (how fitting, right?) in a new horror film called Zombex. I’m a simple man though. Most of my interests are music related and when they’re not it’s usually all about reading and food. I love horror stories, real and fictional. I like playing with guitars and drum machines to let off steam through layers & layers of distortion and delay when I’m bored at home.

On Wax: What or who are you listening to yourself?
Fat Tony: My favorite rap niggas from last year are Das Racist, ASAP Rocky and Danny Brown. I love all the records they put out last year. I don’t listen to a lot of new music though, usually it’s just my favorite artists of yesteryear (mostly all the ones I listed as influences earlier) that get the most play.

Photo: @annamadeit | Anna Doboshttp://www.annadobos.com

Interview with On Wax Magazinehttp://onwaxmagazine.com/owm/?p=27940

Houston rapper talks new project, working with A$AP Rocky

by Ural Garrett

“The Dada movement and its anti-art and avantgarde ideas are pretty prevalent in everything creative I enjoy in life. Most of my favorite music (especially punk rock and Hip Hop), films, TV shows, and visual artists seem to represent a little piece of something (or a whole lot of something) that I identify strongly with Dada.”

Fat Tony is the de facto artist in Houston’s budding alternative rap scene. Winner of the The Houston Press’s Best Underground Hip Hop award three times in a row, Fat Tony’s has been turning out quality music since his 2008 EP, Love Life.

On Wax: So for our readers out there, who is Fat Tony?

Fat Tony: Fat Tony is a Nigerian-American rap nigga that does what he does very well. Almost always maestro’d by Jamaican-American producer nigga Tom Cruz. Fat Tony: artist, actor, fun-haver, eater, entertainer.

On Wax: Where did the name come from?

Fat Tony: I wrote it on my cup one day in gym class while watching the Scared Straight movie during a pizza party in middle school. I was a lil fat boy named Anthony. I also loved The Simpsons. Wrote on my cup, my homie next to me saw what I scribbled and the name stuck.

On Wax: How did you get into music?

Fat Tony: Grew up in a house of music lovers. My daddy likes African music like high life and artists like Sunny Ade, reggae (mostly Bob Marley and Jimmy Cliff), and American classic country music. My mom was fuckin with jazz, classical music, 60′s British & American rock ‘n’ roll, and some soul aka R&B. My granny was a big fan of country music, gospel, and R&B aka soul music too. There were hundreds of records all over the home I grew up in and I loved to meddle with things, especially stuff that was electronic and/or made noise.

I also grew up watching thousands of hours of MTV and BET after school and on the weekends. Pop music was all around me and it’s hard to ignore it when you’ve got amazing talents like Michael Jackson and Prince (plus their influences) in your eyes and ears. I think the Alvin & The Chipmunks and Michael Jackson tapes got me hooked on pop music initially. Loving rap music and punk rock, especially in my teenage years, kept the obsession alive and well all the way up to this very day.

On Wax: What are some of your musical and stylistic influences?

Fat Tony: The Dada movement and its anti-art and avantgarde ideas are pretty prevalent in everything creative I enjoy in life. Most of my favorite music (especially punk rock and Hip Hop), films, TV shows, and visual artists seem to represent a little piece of something (or a whole lot of something) that I identify strongly with Dada. My favorite bands of all-time are the Ramones, Black Flag, Bad Brains, UGK, early Slum Village with J Dilla, R. Kelly, Prince, Michael Jackson, the Beatles, Nirvana, Nas, Jay-Z, Biggie, 2Pac, E-40, Too Short, Devin the Dude, Ice Cube, Beastie Boys, DJ Screw, Dr. Dre & Snoop Doggy Dogg, Murs, and Supreeme. They’ve all had a really significant impact on how I look at music and my appreciation for being good at what you do. It’s good to be good.

On Wax: As far as the alternative Hip-Hop scene in Houston, you seem to be at the top of the pack. What do you attribute that to?

Fat Tony: Having the patience to endure the unpleasantness of being an artist while maintaining a strong passionate affection and respect for what I do. I’m one of the last young rap people that came up in the days of selling tapes and CD-Rs of yourself at clubs, high schools, colleges, and various urban communities rather than letting the foundation of career be based in YouTubes and Tumblrs. Although I did master the digital age in the mid 2000′s I didn’t let it represent me completely. I was still performing and traveling more than any other rap nigga my age since my mid-teens.

I basically took what I learned from my underground rap and underground rock ‘n’ roll forefathers and applied it to my own music without questioning if my methods would be accepted or be successful. I did what I loved and what I wanted to do musically at all times and never gave in to trends and fads. I didn’t spend all that time at home and those nights up late recording me and my friends, attempting to mix albums on Cool Edit, reading about musicians in the industry, watching movies on musicians, and booking; promoting my own shows to the fullest extent for nothing. But all that shit aside, in all honesty, it’s really just because I’m exceptional at what I do. And I work with the world’s best producer Tom Cruz.

On Wax: You were recently featured on ASAP Rocky’s last project. How did that relationship come together?

Fat Tony: My man Daniel Lynas at ishlab studios in Brooklyn was recording him. I lived in New York this past summer 2011 and Lynas asked me to come through a session they were having to meet him. Tom Cruz and I rolled through. We all sat around drinking and conversing for hours while Rocky recorded “Peso” and “Get Lit”. ASAP Yams was up in that bitch too. Late, late, late in the night round 5am Rocky asked me to talk some shit on his record. I stumbled my way into the booth from my reclined position and the rest is history.

On Wax: You have an album and mixtape in the works. Could you talk about that for a moment.

Fat Tony: The mixtape is Double Dragon and will be out this Spring. It’s a collaborative album kind of like Cuban Linx with Raekwon & Ghostface. We’re bringing that producer and rapper dynamic back in the mix cause it is sorely missed. Kinda like Dre and Snoop, ya smell me? Tom Cruz and I are both rapping our ass off on most of the songs. I think you’ll love it. The album is Smart Ass Black Boy and will be out this Fall. Both records are produced in full by Tom Cruz (just like RABDARGAB) and mixed & mastered by the great Paul Katzman.

On Wax: What are some of your interest outside of music?

Fat Tony: Movies, for sure. I just acted in my first one. I’m playing a drug dealer (how fitting, right?) in a new horror film called Zombex. I’m a simple man though. Most of my interests are music related and when they’re not it’s usually all about reading and food. I love horror stories, real and fictional. I like playing with guitars and drum machines to let off steam through layers & layers of distortion and delay when I’m bored at home.

On Wax: What or who are you listening to yourself?

Fat Tony: My favorite rap niggas from last year are Das Racist, ASAP Rocky and Danny Brown. I love all the records they put out last year. I don’t listen to a lot of new music though, usually it’s just my favorite artists of yesteryear (mostly all the ones I listed as influences earlier) that get the most play.

NPR: J. Prince Interview

tumblinerb:

I interviewed Rap-A-Lot head honcho J. Prince at NPR, making for what is probably the first time the esteemed public radio institution has run the words cutting a woman’s breasts and f—-ing the dead body. Hopefully it won’t be the last.

Hit the jump for a quick outtake about regional demand and the origins of Scarface’s name.

Read More

Thank you, @noz. Been waiting for someone to interview Lil’ J like this. Rap-A-Lot for fucking life, hoe. If you don’t know then now’s the time to revisit every highlight in their catalog before it’s too late.

YOUKNOWWHATIMEAN?!


Houston, We Have a Hybrid: Fat Tony on Hip-Hop, Headbangers and Everything in Between
The Houston MC on the scene’s “flirtatious relationship between hip-hop and rock”.
Fat Tony runs Houston. From snagging awards from the Houston Press to musical treks in NYC, the Third Ward representative is everywhere you want to be (trust me, he is) and more. Blink, and you might miss his next move; no worries though, when you open your eyes, he’s likely to be in your area again. The man stays on the move.
Fat Tony is respected, not only as one of Houston’s illest MC’s, but as an all-around ambassador of the drive and determination it takes to be a truly successful underground artist. He’s collaborated with countless notables from the Who’s Who in Houston Music and beyond, but can hold his own with or without another voice on the track.
Easily the king of the scene in the Lone Star state, Fat Tony has droves of dedicated fans hanging on his every rhyme. His live shows are guaranteed to be on packed house-get there before the venue even opens if you want any chance of seeing the stage-status and the scene (or the city, for that matter) wouldn’t be the same without him.
Perhaps the most refreshing aspect of the enigma that is Fat Tony, is his mass appeal. Looking out into the crowd at any of his live shows, you might see an audience demographic typically in attendance at rock shows, more so than hip-hop. I asked Fat Tony to answer a few questions for Bold As Love dealing with the flirtatious relationship between hip-hop and rock and more.
Your music has such crossover appeal between the hip-hop and rock worlds, why do you think that is and why do you think hip-hop and rock hybrids are so well received in general?
We live is a crossover world. Thanks to iPods, Napster, all kinds of race mixing, and hipsterdom music fans of all genres are often hanging in the same bars and paying hundreds to attend the same festivals & concerts. I think my personal tastes in different kinds of music, particularly rap music and punk rock, comes out real strong in my performances and attracts fans with similar good tastes. I grew up organizing mixed genre shows and playing with as many bands as rappers, and it always seemed normal to me. I didn’t know there was any other way for an ambitious teen to get it in. Underground rock ‘n’ roll music showed me how to be DIY and get my own dreams poppin.
Does crossover music reduce or enhance the potency of an individual genre?
I think it enhances it long as it’s natural and not a forced crossover to appeal to people who don’t understand when they’re being fed bullshit. That just makes music corny and embarrassing for everyone involved. Kinda like when rappers started adding guitars and electro beats in their music just to appeal to a more lamestream audience rather than incorporate those things in an interesting, genuine way.
Who are some of your musical influences? What have you been listening to lately?
Some of my favorites of all-time are E-40, UGK, Jay-Z, Nas, 2Pac, Notorious B.I.G., Prince, The Ramones, Bad Brains, Black Flag, R. Kelly, The Smiths, Nirvana, Murs, and Supreeme. All big influences on me to begin doing what I do and keep doing what I do. Just got off a few dates of the Relax tour with Das Racist, Danny Brown, and Despot so I been on a heavy Danny Brown kick. His album XXX on Fool’s Gold Records is my favorite album of 2011. Been jammin ASAP Rocky new mixtape LiveLoveA$AP too.
Talk about the relationship between Houston’s hip-hop and rock communities.
All goes back to them iPods and Napsters and things. We were born into this. We all locals and we all independent and the scene is pretty small for such a big city so we often gotta frolic together.
Have you done any collabos with any Houston rock bands? Who would you like to work with?
Haven’t done any with bands except a bit of freestyling here & there but that hasn’t happened in years even. Not really interested in being a rapper making songs with rock bands. Maybe one day I’ll change my mind but for now if I’m gonna fuck with a band it’s gotta be on some really, really interesting shit not just a rapper over a rock band jamming out. That shit corny as hell.
Do you consider yourself to be progressive? Why or why not?
Definitely. While most bitch about the genre I’m tryna take it somewhere fresh and fun and smart in this post-Hip Hop world we living in today. Watch for songs like “Good While It Lasted” and “Double Dragon” on my next album if you wanna see what a young funky nigga coming straight out the south is talking ’bout.
I hear you’ve put a band together. Tell us about that and about everything you’ve been working on lately.Right now the band is called Cunt Killer and we’re a duo of myself and Halston Luna from PELOTON & more bands. We both write the music and it’s all guitar, bass, Casio Rapman for a drum machine, delay pedals, and sometimes distortion too. Little mix of noise and rock ‘n’ roll in fun short songs. Dunno where the band is going but we’re having fun doing it. 

Thanks Bold As Love and Sierra McClain for this!Read more and see me looking pretty at http://www.boldaslove.us

Houston, We Have a Hybrid: Fat Tony on Hip-Hop, Headbangers and Everything in Between

The Houston MC on the scene’s “flirtatious relationship between hip-hop and rock”.


Fat Tony runs Houston. From snagging awards from the Houston Press to musical treks in NYC, the Third Ward representative is everywhere you want to be (trust me, he is) and more. Blink, and you might miss his next move; no worries though, when you open your eyes, he’s likely to be in your area again. The man stays on the move.

Fat Tony is respected, not only as one of Houston’s illest MC’s, but as an all-around ambassador of the drive and determination it takes to be a truly successful underground artist. He’s collaborated with countless notables from the Who’s Who in Houston Music and beyond, but can hold his own with or without another voice on the track.

Easily the king of the scene in the Lone Star state, Fat Tony has droves of dedicated fans hanging on his every rhyme. His live shows are guaranteed to be on packed house-get there before the venue even opens if you want any chance of seeing the stage-status and the scene (or the city, for that matter) wouldn’t be the same without him.

Perhaps the most refreshing aspect of the enigma that is Fat Tony, is his mass appeal. Looking out into the crowd at any of his live shows, you might see an audience demographic typically in attendance at rock shows, more so than hip-hop. I asked Fat Tony to answer a few questions for Bold As Love dealing with the flirtatious relationship between hip-hop and rock and more.

Your music has such crossover appeal between the hip-hop and rock worlds, why do you think that is and why do you think hip-hop and rock hybrids are so well received in general?

We live is a crossover world. Thanks to iPods, Napster, all kinds of race mixing, and hipsterdom music fans of all genres are often hanging in the same bars and paying hundreds to attend the same festivals & concerts. I think my personal tastes in different kinds of music, particularly rap music and punk rock, comes out real strong in my performances and attracts fans with similar good tastes. I grew up organizing mixed genre shows and playing with as many bands as rappers, and it always seemed normal to me. I didn’t know there was any other way for an ambitious teen to get it in. Underground rock ‘n’ roll music showed me how to be DIY and get my own dreams poppin.

Does crossover music reduce or enhance the potency of an individual genre?

I think it enhances it long as it’s natural and not a forced crossover to appeal to people who don’t understand when they’re being fed bullshit. That just makes music corny and embarrassing for everyone involved. Kinda like when rappers started adding guitars and electro beats in their music just to appeal to a more lamestream audience rather than incorporate those things in an interesting, genuine way.

Who are some of your musical influences? What have you been listening to lately?

Some of my favorites of all-time are E-40, UGK, Jay-Z, Nas, 2Pac, Notorious B.I.G., Prince, The Ramones, Bad Brains, Black Flag, R. Kelly, The Smiths, Nirvana, Murs, and Supreeme. All big influences on me to begin doing what I do and keep doing what I do. Just got off a few dates of the Relax tour with Das Racist, Danny Brown, and Despot so I been on a heavy Danny Brown kick. His album XXX on Fool’s Gold Records is my favorite album of 2011. Been jammin ASAP Rocky new mixtape LiveLoveA$AP too.

Talk about the relationship between Houston’s hip-hop and rock communities.

All goes back to them iPods and Napsters and things. We were born into this. We all locals and we all independent and the scene is pretty small for such a big city so we often gotta frolic together.

Have you done any collabos with any Houston rock bands? Who would you like to work with?

Haven’t done any with bands except a bit of freestyling here & there but that hasn’t happened in years even. Not really interested in being a rapper making songs with rock bands. Maybe one day I’ll change my mind but for now if I’m gonna fuck with a band it’s gotta be on some really, really interesting shit not just a rapper over a rock band jamming out. That shit corny as hell.

Do you consider yourself to be progressive? Why or why not?

Definitely. While most bitch about the genre I’m tryna take it somewhere fresh and fun and smart in this post-Hip Hop world we living in today. Watch for songs like “Good While It Lasted” and “Double Dragon” on my next album if you wanna see what a young funky nigga coming straight out the south is talking ’bout.

I hear you’ve put a band together. Tell us about that and about everything you’ve been working on lately.

Right now the band is called Cunt Killer and we’re a duo of myself and Halston Luna from PELOTON & more bands. We both write the music and it’s all guitar, bass, Casio Rapman for a drum machine, delay pedals, and sometimes distortion too. Little mix of noise and rock ‘n’ roll in fun short songs. Dunno where the band is going but we’re having fun doing it. 

Thanks Bold As Love and Sierra McClain for this!

Read more and see me looking pretty at http://www.boldaslove.us

Thanks Village Voice for catching me stumbling through The Fader Fort at this past CMJ 2011 and asking me the tough questions about food and what’s in my pockets. Y’all were pretty cool. Love you, Puja Patel.And many thanks to L.A.’s finest stylist Karolyn Pho for the hoop earring with three dangling crosses I rocked rather well. http://thetranslation.tumblr.comShoutout Trill City Kings too for the hat! Holler.

The band: Fat Tony
Where they’re from: Houston
What are you doing next?
I’m playing two shows. The first is the BPM show on Houston that my homeboy Jason Scott Henderson is putting it on. After that I’m doing a show with me, Ninjasonik, Japanther and a whole bunch of others who are gonna rage in that shit.
What’s the best show that you’ve been to at CMJ?
I can’t even lie. I don’t know where I’ve been at all but I know that I’m here right now. You feel me?
What non-CMJ thing do you want to do while you’re in New York?
I wanna smoke some of the finest weed New York has to offer. I want to pay my respects to all the New York legends that are out there doing their thing. And I want to drink a lot of rum. Whiskey is tight too. Shout out to all the rich people who put money into the open bars for CMJ. Y’all are doing a great job of helping me get faded.
What makes up your survival kit for CMJ?
I survive strictly on pizza, soda water, marijuana, alcohol, and good vibes. And my friends. Yes, I am crashing at a friend’s place. I haven’t reached the status of having rich people pay for my hotel just yet but hopefully I will next year.
What’s in your pockets right now?
In my pockets right now? A yellow comb and a beautiful phone. It’s a smart-phone, by the way, because I’m a smart guy.
What was the last thing you ate?
Two slices of pizza and a combination of Tropicana fruit punch and Tropicana lemonade. That’s all I’ve eaten today and probably all I will eat for the rest of the night.

Thanks Village Voice for catching me stumbling through The Fader Fort at this past CMJ 2011 and asking me the tough questions about food and what’s in my pockets. Y’all were pretty cool. Love you, Puja Patel.

And many thanks to L.A.’s finest stylist Karolyn Pho for the hoop earring with three dangling crosses I rocked rather well. http://thetranslation.tumblr.com

Shoutout Trill City Kings too for the hat! Holler.

The band: Fat Tony

Where they’re from: Houston

What are you doing next?

I’m playing two shows. The first is the BPM show on Houston that my homeboy Jason Scott Henderson is putting it on. After that I’m doing a show with me, Ninjasonik, Japanther and a whole bunch of others who are gonna rage in that shit.

What’s the best show that you’ve been to at CMJ?

I can’t even lie. I don’t know where I’ve been at all but I know that I’m here right now. You feel me?

What non-CMJ thing do you want to do while you’re in New York?

I wanna smoke some of the finest weed New York has to offer. I want to pay my respects to all the New York legends that are out there doing their thing. And I want to drink a lot of rum. Whiskey is tight too. Shout out to all the rich people who put money into the open bars for CMJ. Y’all are doing a great job of helping me get faded.

What makes up your survival kit for CMJ?

I survive strictly on pizza, soda water, marijuana, alcohol, and good vibes. And my friends. Yes, I am crashing at a friend’s place. I haven’t reached the status of having rich people pay for my hotel just yet but hopefully I will next year.

What’s in your pockets right now?

In my pockets right now? A yellow comb and a beautiful phone. It’s a smart-phone, by the way, because I’m a smart guy.

What was the last thing you ate?

Two slices of pizza and a combination of Tropicana fruit punch and Tropicana lemonade. That’s all I’ve eaten today and probably all I will eat for the rest of the night.

Dr. Dre the greatest rap producer of all-time. Ya heard me?

Part 2: http://www.youtube.com/watch?v=skjCTzFqny8

realniggatumblr:


EXCERPT FROM NAS INTERVIEW (1999)

Taken from an interview right before the time I Am… was released. A-Haaaa I’m gonna need some clarity for this shit. Obviously whatever tension between Q-Tip and Nas has been deaded years ago being that they been seen sharing the same stage together on various occasions, but I was never aware of this. I never liked ATCQ to begin with that shit was always corny to me (it’s my opinion fuck it). ATCQ for them whole foods shoppin 100% natural orange juice drinkin ass niggas. Much love to my gangstas with costcos cards. Despite everybody pointing the fingers and faulting publications, the East-West shit wasn’t just a figment of the media’s imagination. ATCQ had a reputation for sneak dissin’ West Coast rappers at Hip Hop forums and conventions; blaming them for the politicians and middle America coming down on Hip Hop for it’s violent content. This why that boy O’Shea was infuriated throwing all types of haymakers on that Bow Down album.

“Soft niggas hatin’ on the hard niggas” and vice versa is never any good. And it will never go away, unfortunately. Nas was listening to some real good shit at the time. Juvenile? Face? Devin? Good tastes.

realniggatumblr:

EXCERPT FROM NAS INTERVIEW (1999)

Taken from an interview right before the time I Am… was released. A-Haaaa I’m gonna need some clarity for this shit. Obviously whatever tension between Q-Tip and Nas has been deaded years ago being that they been seen sharing the same stage together on various occasions, but I was never aware of this. I never liked ATCQ to begin with that shit was always corny to me (it’s my opinion fuck it). ATCQ for them whole foods shoppin 100% natural orange juice drinkin ass niggas. Much love to my gangstas with costcos cards. Despite everybody pointing the fingers and faulting publications, the East-West shit wasn’t just a figment of the media’s imagination. ATCQ had a reputation for sneak dissin’ West Coast rappers at Hip Hop forums and conventions; blaming them for the politicians and middle America coming down on Hip Hop for it’s violent content. This why that boy O’Shea was infuriated throwing all types of haymakers on that Bow Down album.

“Soft niggas hatin’ on the hard niggas” and vice versa is never any good. And it will never go away, unfortunately. Nas was listening to some real good shit at the time. Juvenile? Face? Devin? Good tastes.

(Source: realniggatumblr)

Richard Pryor, one of my all-time biggest inspirations, straight coked out. R.I.P to the legend.

“I have never got no pussy anywhere til I did this movie with Gene Wilder.”

“Gene Wilder attracts pussy… and some pretty white boys.”

“They’re paying $2 million to do this movie. Can you believe it? My grandma didn’t make that all her life and she’s a better woman than you are a man.”

“Fuck all you motherfuckers, I got my money. I’m rich. I’m a rich black ig’nant nigga.”

“I’m happy. I just sucked three young white girl pussies.” 

James Brown: I look good, I smell good, I feel good…
Reporter: And sing good.
James Brown: …and make love good. 

Shoutout to JahLoveSaudi for the interview + footage from my D.C. show w/ @DasRacist on January’s EAST COAST CRAWL winter 2011 tour. Y’all were way cool.

illbeoutcelebrating:

KELLS

This nigga Kellz had some skinny ass legs back in the day, no homo. He straight wifed Aaliyah on the low though back in the day no matter what they say. I can’t condone it, but can’t condemn it. “Who am I to judge? Who am I, the judge?” (c) J.R. Writer
R.I.P. to her beautiful self.
Click on the picture for an R. Kelly interview from The Fader.

illbeoutcelebrating:

KELLS

This nigga Kellz had some skinny ass legs back in the day, no homo. He straight wifed Aaliyah on the low though back in the day no matter what they say. I can’t condone it, but can’t condemn it. “Who am I to judge? Who am I, the judge?” (c) J.R. Writer

R.I.P. to her beautiful self.

Click on the picture for an R. Kelly interview from The Fader.

Swag ‘n’ roll like a motherfucker. These niggas got so much glitter on it oughta be illegal.

“Big up to Flex… stop taking so much cizzock in his mizzouth.” (3:06)

This shit set it off.

thefader:

FADER TV: Interview With Danny Brown

fifth-grade graduation, feeding pills to dogs, cunnilingus and hair metal

@DannyTheHybrid one of the illest new (is he even that new? he new to me) niggas in the game. Fuck y’all if you don’t know yet. Look him up. And he’s from Detroit. Download this.